Things You're Just Supposed to Know

Most of the time, Long-Forgotten assumes that readers are already familiar with basic facts
about the Haunted Mansion. If you wanna keep up with the big boys, I suggest you check out
first of all the website, After that, the best place to go is Jason Surrell's book,
The Haunted Mansion: Imagineering a Disney Classic (NY: Disney Editions; 2015). That's the
re-named third edition of The Haunted Mansion: From the Magic Kingdom to the Movies (NY:
Disney Editions, 2003; 2nd ed. 2009). Also essential reading is Jeff Baham's The Unauthorized
Story of Walt Disney's Haunted Mansion (USA: Theme Park Press, 2014; 2nd ed. 2016).

This site is not affiliated in any way with any Walt Disney company. It is an independent
fan site dedicated to critical examination and historical review of the Haunted Mansions.
All images that are © Disney are posted under commonly understood guidelines of Fair Use.


Sunday, July 4, 2010

The Death Coach

Updated October 2019

Let's continue with our probes into the cultural background of the various ghosts and ghoulies populating the Mansion.  Some are mere visual puns and have a thin background (Great Caesar's Ghost, the Phantoms of the Opera), others can be traced back to a single famous ghost (The Brown Lady of Raynham Hall, the Phantom Drummer of Tedworth), and some take their cue from a more general historic or folkloric setting (the Victorian "mummy craze," the numerous legends about ghostly hitchhikers).  Sometimes "mere folklore" veers over into full-blown myth, carrying an almost religious portent.  That's where we're headed today, as we turn our gaze toward the Hearse Tea Party in the graveyard.  Here it is in magnificent 3D, in two sizes, and once again, it's worth it to do the "magic eye" thing, as the depth of field in this one is particularly enjoyable.

The man in charge here seems to be the coachman.

All you have to do is Google "phantom coachman" or "death coach" or the like, and you'll summon up tons of folklore. This is a major ghost. He's a fully mythological figure in Irish folklore, the Dullahan, driving the C√≥iste Bodhar ("coach-a-bower"). The Dullahan is a headless coachman who works in coordination with the Banshee and takes you away when you're about to die. Interestingly, it is widely agreed that the most satisfying treatment of this figure in modern pop culture is in the 1959 Disney film, Darby O'Gill and the Little People. (Mansionites particularly enjoy the Banshee in this film because a couple of its wails were either added to or taken from the Disney sound library and emigrated from there into the Haunted Mansion's Corridor of Doors.)

Here he comes...

Get in.

Another interesting cinematic treatment of the Death Coach is in F.W. Murnau's classic, Nosferatu (1922).  En route to the castle Dracula, Jonathan Harker is whipped across Transylvanian no-man's land in a phantom coach.  This suggests that poor Jonny is in some sense leaving the land of the living and passing over into the land of the dead.

Check HERE for another 1921 treatment of the Death Coach, this time in a Swedish film.

Plenty of "real" phantom coaches have been reported.  Part of the ghostly doings at Borley Rectory ("The Most Haunted House in England") involve unseen coaches and thundering hoofbeats passing by, or glimpses of a ghostly coach with a headless driver. The Edinburgh Royal Mile has its very own phantom coach, they say.

The phantom's appearance varies. Besides the headless coachman, there's a monstrous one, a Grim Reaper-like skeletal one, and a fairly "normal" looking one. Asked to create a Phantom Coachman mask/wall sculpture, the folks at Dynamic Design International (who have done some work for Disney) came up with this as the classic look:

Likewise, the vehicle varies. Usually it's a proper black stagecoach, but often in popular depiction it's a hearse.

Was any of this in the background as Marc Davis designed his tea party ensemble? Alas, the paper trail is much thinner this time. His concept sketch looks pretty much like what we ended up getting.

This Davis sketch of a "Phantom Coachman" was not published until 2019.

However, there are depictions of the Death Coach in pop iconography that are remarkably similar to Davis's graveyard hearse in appearance. This is from a 1954 comic book:

If you have your parents' permission, you can read the rest HERE, but be forewarned: that stuff will rot your brain.  Anyway, this is all fair game, as we have already seen that Davis was not above taking inspiration from horror comics.

Davis's driver is a lot less gruesome, but he is, literally, a phantom coachman, and he's presumably the one who brought these folks to the graveyard (i.e., the place of the dead).  The similar hearse dropping off guestly ghosts in the ballroom originally was going to have a friendly driver too, to judge from Davis's concept art.

Essentially, what we've got is a cheerful Charon.  That's definitely how Collin Campbell read Davis's graveyard drawing when he did the cover of the "Story and Song" album.  (You'll note that Collins combines elements from both of the Davis concept pieces above.) The phantom is providing a taxi service in this painting that is not essentially dissimilar to his function in the scarier treatments.

Davis obviously wanted to get away from the scary phantom coachman and make him a light, comic figure. Indeed, the Davis/Collins coachman looks like a cross between Mr. Magoo and W. C. Fields.  Other Disney artists have also treated this character and this topic.  One interesting example is on the back cover of the 1970 Magic from the Haunted Mansion souvenir book. That artist clearly interpreted the graveyard hearse as the Death Coach:

When Imagineers in the 90's kicked around ideas for improving the Load area, one of the new concepts called for a full-blown Death Coach in a large window. Notice that once again it's a hearse, not a stagecoach, but this time the Grim Reaper version of the coachman is used:

It's a thinner trail this time, but I'm willing to put down the coachman at the Hearse Tea Party as another spook with solid roots in established ghost lore.  It is most curious that we humans are consistently interested not only in the afterlife but in the means of transport from this world into that one.  When we're not talking about angelic escort by walking or flying, we're seeing visions of boats and coaches.  A carriage approaches, to take you into the boundless realm.  Part of the journey is the mode of transportation itself, it seems.  And for that last trip, there is no longer any need to pull down on the safety bar.


  1. Great piece! I love cultural apparations like this and will probably have to pick up Darby O'Gill now.

  2. Could this "W.C. Fields"-style coachman be a cousin of the childhood-nightmare inducing coachman in "Pinocchio"? Or maybe years of decomposition have helped him lose some weight and this is the SAME COACHMAN? Yikes- if the "Pinocchio" coachman has retired to the Haunted Mansion, it definitely tips the balance from funny to scary, at least in the dark 4-year old corners of my brain.

    Thanks for this blog- I love it.

  3. Speaking of death coaches, one can't help but to recall Emily Dickinson:

    Because I could not stop for Death,
    He kindly stopped for me;
    The carriage held but just ourselves
    And Immortality.

  4. It's also a part of another Disneyland classic concept..."forbidden" (or unattainable) transportation.

    In fact, one of the best short descriptions I read of Disneyland was (pardon me) "transportation porn".

    Look at how all the attractions involve movement in vehicles that are anything but everyday; rocketships, steamboats, flying pirate ships, monorails, indian canoes, horse drawn streetcars... It's just the next step in the series to ride the Phantom Coach.


  5. I'm fascinated by the animation on the death coach and banshee in Darby O'Gill. I'm curious as to how they accomplished those effects. Was rotoscoping involved? I'd love to know. Speaking of banshees, why are the little organ ghosts called banshees? Is it the shape of their mouthes? One last thing, the caretaker outside the graveyard looks a little bit like Darby himself.

    1. I would have suspected it us a rotoscoped effect. The banshee was more direct but the Coach-a-bower was more involved as an almost lithographic negative like effect.

  6. I think the shapes of the mouths may well be why the organ spirits are called banshees. Ghosts that wail or moan pick up that name. Most of those terms have specific, technical meanings but also loose, general applications in popular use.

  7. Makes sense. Although the name would have been more appropriate for the old attic pop-ups: they did scream a lot. Though they have the same faces, so no harm done. You're right about popular uses too. Many people have some idea about what a banshee is, fewer would know of wraiths, revenants, shades, wights and so on. (Though some of these names seem to get applied to zombie/living dead types as well, such as wight and revenant). The fact that they're banshees (spirit beings rather than spirits of the dead) explains why they're so small: "rise as spooks of every size." Most of the former human ghosts are at least in human proportions (even Madame Leota and the pop-ups correspond to human head and torso sizes). Not to say that ghosts can't change size, it's just most of the ghost choose to have their astral bodies be similar to what they were in life (or just after death, in the case of the decapitated knight).

  8. It might be a coincidence, but Marc's concept sketch looks rather similar to the description of the Coachman from Collodi's original Pinocchio story:"a little man, broader than he is tall, tender and greasy like a ball of butter, with a rosy face, a small, constantly smiling mouth..." But that's just me, maybe.